Thursday, January 30, 2020

Coloplast Organizational Structure Essay Example for Free

Coloplast Organizational Structure Essay Coloplast went from a production structured organization to a functional structured organization. In the production structure the focus was on the products wish were divided into 3 product divisions. In the functional structure the company focus on specialization of tasks. Before: the production organization The production organization structure also called Division Structure is divided into 3 production division; skin, wound care and continence care, and ostomy care. Each division beyond having its department for research, development, sales and marketing, contains all the necessary resources and functions. By applying the production organization, a company gains the followings benefits: A structure where it’s easy to define the objectives and word work assignments can simply be coordinated, within each division. Another Benefit Coloplast can gain on this structure is the flexibility among workers. Workers from one department can be put on assignments in another department within the same division, if needed. This’s made possible by the fact that most of the workers are not specialist in any specific field. Should any problem occur in the division structure the causes are quickly detected and solved. This type of structure allows local leaders to make small locale adjustments to meet the challenges in there division. But this system holds its own weaknesses. It can harm communication flow between different divisions. This may result in loosing the overall focus on the objective of the organization. It may happen that each local division create its own culture witch may not necessarily be compatible with the company’s culture as a whole. The limited communication between divisions makes it hard for them to exchange experience and expertize. This system by nature is heavy and costly. In order for the company to have all the necessary resources and functions within each division, they can’t afford the best expertize on every field. After: the functional organization The new organizational structure focuses more on functions. Unlike the previews structure that focused on the product. This new structure pulls functions out of the different divisions and put them in centralized units, each specialized in respectively Globale Maketing, R and D and Global Operations. As a consequence, the former divisions are reduced to production units and subsidiaries; that receives instructions from the top. To assure communication between top and bottom, Coloplast place Commercial Excellence above the whole new structure. With the three functional divisions, Coloplast makes sure that there a clear purpose that goes all the way through the whole company, when it comes to their global marketing, innovation and how new products should be developed. As a result Coloplast becomes a unified company with no duplications of tasks. The greatest advantages of this functional centralized structure is its lightness and affectivity. It gives the opportunity to hire highly specialized staff. As Coloplast CEO puts it; â€Å"The subsidiaries have a huge, but simple, responsibility: they ? ll have to sell like the dickens† meaning that Coloplast now can headhunt exact talents for each function. The workforce those talents brings is not only promoting a single product but the company as a whole. Employees have the opportunity to learn from their superiors. They also have the opportunity to work alongside colleagues who relate to their professional interests and abilities, thus making for a more productive and enjoyable environment. By moving the production responsibility from all division to the Global Operation in cheap-labor countries, it’s possible for Coloplast to reach the point of an Economical of scale. Like any other organization structure, the functional organization has weaknesses. Because of the decision-making within the functional works from top to bottom, it’s a constant challenge to make sure that the organizations objectives are integrated at the bottom. Another disadvantage is that units may have limited flexibility in problem solving, making changes or responding quickly to customer demands and needs, since the final decision-making authority rest with the top level of management. So how does Coloplast solve these challenges? Commercial Excellence/Business Excellence For solving the challenge of implementation of the organizations objectives and assurance of a two-way communication, Coloplast places â€Å"Commercial Excellence† above the entire new structure, which acts like the strong arm, that’ll prepare budgets and make sure that objective are achieved. Commercial Excellence or Business Excellence is the systematic use of quality management principles and tools in business management with the goal of identifying improvement opportunities, area of strength and ideas for future organizational development. It’s a support function that’ll help ensure â€Å"best practice† so that the organization can avoid those complications. Conclusion This new organizational structure is a natural step for the entire group, not only does it outsource to cheaper-labor countries but it has also given Coloplast improved profitability and an organic growth of 7%. The sustained competitiveness Coloplast has gained is due to the change of organization structure where they went from a production organization to a functional organization. With the transformation came the opportunity of standardization of tasks, this leads to efficiency and expertise in the related fields. This was something they lacked in the production organization. By implementing the Business Excellence, Coloplast shows that it’s aware of the weaknesses of the new organization design and intent to avoid them. Lars Rasmussen, Coloplast CEO, emphasizes how important it’s that this supporting system doesn’t end up like a police maneuver, keeping subsidiaries in an iron grip. â€Å"Instead it shall ensure â€Å"best practice† and set such high standards, that where that is difficulty, it’ll become natural to draw on headquarters†. It’s all about motivation, contributing to people and relying on each other. This serves as a great factor for self-actualization for the individual employee witch is not only contributing to the fulfillment of personal potential but also to the work-environment. The new organization has great potential; they have cut production time by half, they went from 13 factories to 10, constantly stimulating innovation by supporting Coloplast Incubator. Coloplast current strategy placed a great deal of responsibility on the shoulders of their employees, as well as implementation of some standard guidelines and the right motivation. There are no doubt about the new structure is more complex than the previews one. Annex

Wednesday, January 22, 2020

Essays on Death and Suicide - Grieving the Loss of My Mother :: Personal Narrative Writing

Grieving the Loss of My Mother I stopped in the middle of the street and drew in a deep breath. "Where am I going?" I asked myself. I glanced at my watch, still walking, and noticed with a shudder that it was already past midnight. "Time flies when you're having fun," I muttered, my voice filled with a surprising sarcasm. I turned the corner of 54th street, and glanced down the block. No one. Part of me wished that someone would have been there, someone who would question me and demand that I go straight home. But I knew that if I went back, I'd be right where I started. And I'd promised myself progress this night. Maybe I wouldn't be able to get away, the odds of that happening were clearly against me, and I was aware of it, but every moment I could be free from the problems was one more I could cling to. Suddenly, a car pulled up next to me, the headlights blinding me momentarily. I glanced inside to see Micha sitting at the wheel. "Get in," she said. I crossed to the passenger side and got in, without objecting, due to the fact that I knew it was too late to be defiant. And I was too tired. I braced myself for what was to come next, but my older sister said nothing. She put her car into gear, and pulled away without a word. We drove in silence, the only noise being her deep breathing and my short, shallow sighs. I realized just how far I had walked, as we drove to my house- at least 5 miles. When we reached our house, I looked at it, as if I was seeing it for the first time in my life- the old fashioned porches, the balcony, the huge, beautiful windows. I stayed in the car, as did Micha, neither of us making an attempt to move as she commented on the grass needing cut, and the mess the neighbors had made in the front yard. I heard her, but I wasn't listening- I was merely staring ahead of me, debating if I should get out and run inside or try to justify my actions. "Micha..." I began, but she cut me off short. "Go get some sleep," she said dryly, "We'll talk in the morning." I got out of the car, leaving her in the car as I briskly ran up the walkway.

Tuesday, January 14, 2020

Characteristics of the Postmodern Horror Film

Characteristics of the Postmodern Horror Film In our world today, box offices are flooded with giddy teenagers seeking a thrill from horror movies. Horror movies date back all the way to the 1890’s so what is it exactly that keeps viewers wanting more? According to Isabel Cristina Pinedo, there are four key elements to the success of the contemporary horror film. Today’s successful films constitute a violent disruption of the everyday world, transgress and violate boundaries, throw into question the validity of rationality, and repudiate narrative closure.The movie Final Destination (2000) is a more recent horror film that consists of three out of four of Pinedo’s elements. While the movie does not apply to all four elements, the characteristics of the three present are strong enough to allow the film to still be considered a horror film. Final Destination is loaded with scare tactics that closely resemble the characteristics described by Pinedo. The film is base d off of a series of deaths that are unexplainable and unpredictable, matching the first element of characteristics of the postmodern horror, â€Å"horror constitutes a violent disruption of the everyday world† (Pinedo 17).More specifically relating to this element are the mysterious tragedies that take place throughout Final Destination. In this film death comes at random times violating â€Å"our assumption that we live in a predictable, routinized world by demonstrating that we live in a minefield† (18). Death is just that, a minefield. The characters feel they have no control over their lives because while Alex, the main character, figures out that there is an order to these deaths, nobody is certain exactly when their time will come. Also contributing to the students’ constant fear is the way the deaths are occurring.One boy, Todd slips in the bathroom and is accidentally hung from the shower clothesline, another girl, Terry, is hit in the middle of town by a speeding bus, and a teacher is killed from an unlikely house explosion. All three deaths treat â€Å"violence as a constituent element of everyday life† (18). The incidents occur in ordinary settings involving items typically used on a daily basis, creating fear that one cannot escape. Not only are the deaths strange, they are extremely violent and gory. Pinedo states, â€Å"the disruption takes the form of physical violence against the body† (18).Blood is prominent in the death scenes as well as mutilation of the bodies with the use of sharp objects, knives, electrocution, and hanging. Pinedo’s idea that death can happen anywhere does not lack in this movie and the realistic gore provides more evidence to support the idea that this film is without a doubt, a horror film. In horror films, confusion is a great way to create even more fear. The deaths in Final Destination are dramatic and in our world unheard of and fall right into place when exploring Pinedoâ €™s characteristics of recreational terror.The way these deaths happen â€Å"[throw] into question the validity of rationality† (17). The concept of irrationality is Pinedo’s third element and is huge in her eyes. She claims â€Å"characters who survive must come to terms not only with the irrationality of the situation but also with their own ability to be as single-mindedly destructive as the monster† (24). Final Destination begins with Alex and his classmates boarding a plane for a school trip however, that trip is short-lived due to a fatal explosion that oddly enough, Alex had already seen in a terrifying premonition.Alex’s premonition makes little to no sense but he chooses to believe it and is able to cheat death. This is just as Pinedo explains. The rationality of Alex’s world is gone and his premonition leaves him to wonder what is true in his life. The other characters throughout the movie continue to think Alex is crazy for having th ese ideas that death is following them. They â€Å"insist upon rational explanations in the face of evidence that does not lend itself to rationality [and] are destined to become victims of the monster† (24).Throughout the movie Alex makes it very clear that he believes there is a specific time and place for each character’s death. Alex does not doubt himself or his premonition once and is able to remain alive until the end of the film. This is just what Pinedo means when she claims â€Å"the ones that survive necessarily suspend their rational presuppositions and trust their gut instinct† (24). There may be a more realistic explanation for these deaths or, there may be no explanation at all but one thing is for sure: the characters who choose to not believe anything at all is happening, are dead by the end of the movie.In this film Alex would be considered the protagonist or the hero. When discussing the hero, Pinedo claims, â€Å"postmodern horror compels its hero†¦to rely on intuition; it requires [the protagonist and the monster] to be both violent and to trust their gut instincts† (25). Alex fights hard to get the others to believe in his original premonition as he tries to stop the order in which it will come. He figures out who is next on the list and uses all power to save the remaining students. Generally speaking, the most important part of a horror film is the ending.Viewers wait on the edge of their seats in fear that the protagonist will not prevail. However according to Pinedo’s fourth element of postmodern horror, it â€Å"repudiates narrative closure† meaning that â€Å"the film may come to an end, but it is open ending† (29). Throughout Final Destination viewers watch Alex try to solve the mystery of death. At one point in the movie, Alex and his friend visit their late classmate Todd where a mortician tells them â€Å"in death there are no accidents, no coincidences, no mishaps, and no es capes†¦we’re all just a mouse that a cat has by the tail. Alex is certain that now that he knows death has a plan, he will be able to solve the pattern within his high school. Although, by the end of the movie, there is still no resolution. Death continues to seek prey and â€Å"we are left with this open ending, unable to determine where the nightmare begins or ends, or whether it ends at all† (33). Alex cheats death one more time and the remaining students are finally able to take their trip to Paris but in the final scene of the movie a hotel sign swings down and comes right for Alex’s head. The audience never does find out whether or not Alex survived or if death is stopped.Pinedo is right on target with this element and this horror film almost identically matches her characteristics. Violence is a concept easily recognizable in this film, however, does not seem to directly follow what Pinedo describes as â€Å"horror transgresses and violates boundari es† (17) where she goes into depth about the importance of a specific monster. Pinedo states â€Å"the monster violates the boundaries of the body in a two-fold manner: through the use of violence against other bodies†¦and through the disruptive qualities of its own body† (21).In Final Destination the monster is unexplainable. The â€Å"monster†, death, does use violence against other bodies by murdering the students in very violent manners although it does not disrupt through the use of its own body. The feared â€Å"monster† in Final Destination does not come in a physical form thus creating a more complex mystery for the characters without harming itself. Another point Pinedo makes is that â€Å"it is only when the monster is truly dead and subject to decay that it ceases to threaten the social order† (22).Because death is the monster in this movie and is not an animate object, it is unable to be subject to decay. Alex discovers that if the order of death is disturbed, the pattern will be rearranged and he who cheated death is placed at the end of the list instead. He seems to have accomplished total destruction of the â€Å"monster† by solving its mysterious death pattern however, alive or dead, it is impossible to avoid threat to the social order thus proving Pinedo’s point incorrect in this case.In classical horror films an audience got a little scare yet left the theater with the comfort of a closed ending. As discussed in Pinedo’s fourth element of postmodern horror, movies today leave their viewers wondering what will happen next. Perhaps the fourth element is the most important because it is what follows the audience into their everyday lives. A successful horror film gives the viewer a chilling fright and then leaves an impact on their life after the final scene.It is those movies that leave us afraid to look under the bed, afraid to walk alone at night, or afraid of certain sounds and imag es. Pinedo does an excellent job of going into detail about well-done modern horror films. Although, Final Destination does follow Pinedo’s characteristics and leaves viewers with one agonizing question: Can you cheat death? Works Cited Final Destination. James Wong. New Line Cinema, 2000. Film. Pinedo, Isabel Cristina. Recreational Terror. Albany: State U of New York P, 1997. Print.

Monday, January 6, 2020

Police Brutality And Corruption Of Public Order - 1718 Words

Police is defined as â€Å"the civil force of a national or local government, responsible for the prevention and detection of crime and the maintenance of public order† . When these powers are abused and unnecessary force is used for corrupt purpose outside of their duty it is considered police brutality. While police brutality may seem only rampant in the United States, it effects Russians equally. The question is why are the police in these two countries so powerful that they can go against their duty and still not be punished? The research done will explain the police brutality and corruption that occurs in the two countries, why it happens, and how it effects the citizens trust of their government In both the United States and Russia the†¦show more content†¦The main function of law-enforcement agencies in Russia is not to protect the public from crime and corruption, but to shield the bureaucracy, including themselves, from the public† . The Russian police have been accused of getting paid to carry out jobs that benefit the image of the government. Both police forces are accused of using unnecessary force to complete corrupt motives. In Russia those who want to protest the government may have a tough time trying to come out without any injuries. An article from the New York time says â€Å"Many Russians seem to feel that they do not have much recourse in the face of police abuse and a result, motorists’ rights groups have sprung up. In October last year, The New York Times profiled a leader of one such group in Yekaterinburg, who was beaten in police custody after protesting corruption† . After protesting that the government was corrupt the leader was beaten and thrown in jail. This is evident that the police are there to protect the image of the government and if someone speaks out against the government they are liable to be victims of police brutality. 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